August 27, 2026
Beth Morrison Projects 2026-2027 Season

BETH MORRISON PROJECTS ANNOUNCES 2026–2027 SEASON

2027 PROTOTYPE Festival

Return of VOX

World, Los Angeles & New York Premieres

New Partnerships

PROTOTYPE FESTIVAL IN NEW YORK
January 12-24, 2027
13 Days, 5 Premieres, 23 Performances

Following the tremendous success of BMP’s first year as sole producer and presenter, PROTOTYPE returns in January 2027 

VOX: AMERICAN VOICES OPERA LAB RETURNS
April 1, 2027 at PAC NYC

An unprecedented consortium of seven leading arts organizations comes together to revive this vital platform for the development and presentation of new opera-theatre works, with a preview “Works & Process” conversation and performance preview in November

BMP IN LOS ANGELES
The Old Man and the Sea
May 20-23, 2027

Paola Prestini, Royce Vavrek, and Karmina Šilec’s opera based on the novel by Ernest Hemingway has its West Coast Premiere

Black Lodge and BARDO AT UNC
October 30, 2026

Presented by Carolina Performing Arts
The Grammy-nominated Black Lodge comes to the University of North Carolina as an immersive theatre, film and live music experience

Beth Morrison Projects (BMP) announces its 2026–2027 season, marking the organization’s 21st year of commissioning, developing, producing, and touring groundbreaking opera-theatre and music-theatre. The season encompasses world, West Coast and New York premieres, the annual PROTOTYPE festival, major new institutional partnerships, artist-development initiatives, and performances in New York, Los Angeles, and more.

Fiercely committed to shaping the future of the art form, BMP has consistently supported the creation of new work by emerging and established artists, providing composers, librettists, directors, performers, and interdisciplinary creators with the freedom to experiment with new modes of storytelling. Through its artist-centered approach, BMP has commissioned, produced, and toured more than 65 projects around the world, while creating platforms through which the next generation of artists can develop ambitious new work.

“Coming off our explosive 20th anniversary season, we’re keeping the momentum high with a 21st season showcasing extraordinary artists—both the stars of today and the stars of tomorrow,” said Beth Morrison, President and Creative Producer of Beth Morrison Projects. “We continue to center artists who push the boundaries of what our form can be, creating ambitious work that speaks directly to the audiences of our time.” 

Major New York performance highlights this season are BMP’s annual PROTOTYPE Festival in January and the reconstituted VOX showcase, now presented by a consortium of leading NYC arts organizations, in April. A performance and conversation exploring the history, relaunch, and future of VOX takes place in November, presented by Works & Process at the Guggenheim, with representatives from the newly formed consortium. Also in April is the World Premiere of You Are Poetry, a multimedia song cycle based on the poems that Beth Morrison’s partner, André de Quadros, wrote for her in 2020.

BMP also continues to be a major presence in Los Angeles, with the West Coast premiere of The Old Man and the Sea in May. BMP will announce a second LA premiere that will play in March 2027.

PROTOTYPE

The PROTOTYPE Festival returns in 2027 with an expansive program of opera-theatre, theatrical concerts, chamber opera, song, immersive performance, and contemplative choral music in venues throughout New York City. Festival highlights include:  

  • New York premiere of The Old Man and the Sea by Paola Prestini, Royce Vavrek, and Karmina Šilec.
  • World premiere of EMEL: Everywhere We Looked Was Burning, by Tunisian-American singer, songwriter, composer, and producer, EMEL.
  • New York premiere of Timur’s and Sandra Powers’ The Great Soviet Bucket, a dark musical comedy exploring Soviet identity, politics, and belonging.
  • 15th-anniversary concert presentation of David T. Little and Royce Vavrek’s Dog Days, a searing opera about a family struggling to survive in a near-future America devastated by war and hunger.
  • World premiere of Lacy Rose’s VISIONS, a theatrical song cycle giving voice to women depicted in Gustav Klimt’s paintings.
  • World premiere of Hilma by Daniel Zlatkin (music & libretto) as part of the double bill, “The Seen and the Unseen,” a production of National Sawdust
  • Candlelit concert featuring the music of Arvo Pärt by Trinity Church Wall Street NYC, continuing BMP’s decades-long partnership of bringing contemporary opera and vocal-theatre music to NYC together with Trinity Church
  • Art Bath’s third year at the Festival, presenting its signature immersive performance salons

The Return of VOX

VOX returns this season as a landmark collaboration among seven leading New York music organizations—American Composers Orchestra, Beth Morrison Projects, Manhattan School of Music, Mannes Opera at the Mannes School of Music, MasterVoices, the Metropolitan Opera, and Perelman Performing Arts Center (PAC NYC)—dedicated to presenting excerpts from new grand operas by contemporary American composers through a submission-based process. In November, a conversation and performance at the Works & Process series explores the history, relaunch, and future of VOX with representatives from the newly formed consortium. Beth Morrison serves as Director and Creative Producer, and Ted Sperling is Music Director. 

BMP in Los Angeles

As a bi-coastal organization, BMP has offices in New York, where it began, and Los Angeles, where it has forged longstanding collaborative relationships with local artists and organizations including LA Opera, REDCAT, LA Phil, The Wallis and more. BMP continues to bring new work and development opportunities to LA’s thriving and diverse performing arts scene, including plans for the upcoming Cultural Olympiad in 2028 (alongside the 2028 Summer Olympics). 

BMP’s The Old Man and the Sea, to be premiered at January’s PROTOTYPE Festival in New York, gets its West Coast premiere in May in Los Angeles in a co-presentation with The Wallis and LA Opera.  One additional BMP production this season in LA is TBA. 

BETH MORRISON PROJECTS
2026-2027 SEASON

FALL 2026

OCTOBER 30, 2026
Performance | Black Lodge & BARDO 
Presented by Carolina Performing Arts
University of North Carolina at Chapel Hill

Chapel Hill, North Carolina

Music by David T. Little
Libretto by Anne Waldman
Story, Screenplay, and Film/Stage Direction by Michael Joseph McQuilken
Featuring Timur and the Dime Museum 
Tour and Art Direction for Black Lodge and BARDO by Sandra Powers

Beth Morrison Projects brings the Grammy-nominated multimedia experience Black Lodge to the University of North Carolina at Chapel Hill in a presentation that incorporates local artists into the work’s immersive theatrical and musical world.

Part film screening, part industrial rock-opera concert, Black Lodge is a boundary-pushing work developed during the COVID-19 pandemic. The project combines a cinematic opera with a live rock ensemble and an immersive pre-show installation, BARDO, to create an experience that moves between film, concert, visual art, and ritual. 

Black Lodge was nominated for the 2024 Grammy Award for Best Opera Recording.

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NOVEMBER 16, 2026 
Works & Process at the Guggenheim 
VOX: American Voices Opera Lab
New York, NY

In advance of the full return of VOX in April 2027, Works & Process at the Guggenheim offers a public conversation and performance exploring the history, relaunch, and future of the program.

The event is envisioned as a panel featuring representatives from the institutions participating in the newly formed VOX consortium, together with a performance by artists from the Metropolitan Opera’s Lindemann Young Artist Development Program of material selected for the Spring orchestral showcase.

 
The Old Man and the Sea
 

JANUARY 12–24, 2027
PROTOTYPE FESTIVAL
New York City

“One of the world’s top festivals of contemporary opera and theater” 
–Associated Press

PROTOTYPE is an annual festival of visionary opera-theatre and music-theatre presented in New York City each January.  The festival gives voice to a diverse generation of artists creating work at the intersection of music, opera, theatre, visual art, and new technologies. Since PROTOTYPE was co-founded with HERE in 2013, it has become an essential platform for boundary-pushing artists and a leading destination for audiences, presenters, and producers seeking the future of the art form. The festival’s 2026 edition marked its first season independently produced and presented by Beth Morrison Projects and was met with sold-out performances and ecstatic critical response. The 2027 festival builds on that momentum with world and New York premieres, concert presentations, works in development, immersive theatrical events, and collaborations with leading cultural institutions across the city.

JANUARY 12, 2027 
Inside PROTOTYPE 2027—A Conversation with OperaWire

Festival Preview Event 
National Sawdust
80 N 6th St, Brooklyn, NY

PROTOTYPE kicks off its 2027 festival season with a special preview event presented in collaboration with National Sawdust and OperaWire. Hosted at National Sawdust, the evening will feature performances and conversations with the composers behind this year’s festival lineup, offering audiences an inside look at the stories, processes, and visions shaping these groundbreaking new works.

Featuring excerpts from The Old Man and the SeaThe Great Soviet Bucket, and VISIONS, the program will also include conversations and video highlights showcasing productions from across the 2027 PROTOTYPE Festival. The event will be moderated by PROTOTYPE Artistic Director and Co-Founder Beth Morrison and Jennifer Pyron, Managing Editor of OperaWire.
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The Old Man and the Sea

JANUARY 13–16, 2027
The Old Man and the Sea

Chamber Opera | NEW YORK PREMIERE

Gerald W. Lynch Theater at John Jay College
524 W 59th St (between 10th & 11th Avenues), New York, NY

Music by Paola Prestini
Libretto by Royce Vavrek
Directed by Karmina Šilec
Music Direction by Mila Henry

Based on the novel by Ernest Hemingway, The Old Man and the Sea is an opera by Paola Prestini, Royce Vavrek, and Karmina Šilec that presents a dual track of storytelling, combining Hemingway’s text with original portraits of quotidian life to create a meditation on aging, legacy, and humanity’s relationship to the oceans.

The work includes longtime collaborators and muses of Prestini’s, including Jeffrey Zeigler as the featured cellist. Its stellar principal cast includes Armando Contreras in the title role, the Canadian star vocalist Measha Brueggergosman-Lee, Rodolfo Girón, Yvette Keong, and a versatile choir to bring to life the story’s seminal characters: Santiago; Manolin; and the wife, recast as La Virgen del Cobre, a goddess in Santería, the Afro-Caribbean 

Themes of baseball, ecology, religion, and economy reveal a conflict among progress and tradition, craft, passion, and exploitation, ultimately shedding contemporary light on Hemingway’s timeless tale.

Premiered in 2023 at ASU Gammage, the production comes to New York following performances at UNC-Chapel Hill’s Carolina Performing Arts and the Wexner Center for the Arts with Opera Columbus. 
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EMEL: Everywhere We Looked Was Burning

JANUARY 14–16 AND 18–20, 2027
EMEL: Everywhere We Looked Was Burning

Theatrical Concert | WORLD PREMIERE

BRIC Arts Media
647 Fulton St, Brooklyn, NY 11217

Created, Performed, and Co-Creative-Directed by EMEL
Stage Direction and Co-Creative Direction by Jessica Grindstaff
Co-Produced by Beth Morrison Projects and KiWi Productions
Co-Presented by PROTOTYPE Festival and BRIC Arts Media
Creative Producer: Kim Whitener
Executive Producer: Stephen Hendel
Originally commissioned and developed with the support of Joe’s Pub at The Public Theater

Since her 2011 breakthrough with “Kelmti Horra” (“My Word Is Free”), EMEL—hailed as “the voice of the Arab Spring”—has become one of the most distinctive voices in contemporary global music. EMEL now creates a theatrical concert inspired by her recent album, MRA (“woman” in Arabic). Weaving together songs with intimate stories from throughout her life and artistic journey, this atmospheric performance brings live music, movement, video design, and personal storytelling.  

Created entirely by women and women-identifying artists, EMEL: Everywhere We Looked Was Burning embodies a vision of collective creation and genre-bending artistic possibility. Blending African trap, batucada, Arabic reggaeton, hip-hop, drum ’n’ bass, and North African musical traditions, EMEL’s music is theatrically reimagined, colliding the intimate and the epic in a celebration of women's creative power. EMEL: Everywhere We Looked Was Burning unfolds as an expansive and urgent portrait of identity, resilience, and transformation, illuminating the interconnected histories and futures of women across the global diaspora.
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The Great Soviet Bucket

JANUARY 15–17, 2027
The Great Soviet Bucket

Opera Cabaret | NEW YORK PREMIERE
A.R.T./New York Theatres, Mezzanine Theatre
502 West 53rd Street, New York, NY

Created by Timur and Sandra Powers
Starring Timur

The Great Soviet Bucket is a dark musical comedy that follows Timur—a dutiful Soviet citizen—and his unhinged “Mother Russia” puppet, Comrade Bucket. Like a true believer, Timur patiently tolerates the complexities of the USSR, certain that a better future is just around the corner. His local commander, Comrade Bucket, urges him to fully embrace the collective way of life. But as the Soviet empire begins to crumble, so too does Timur’s Soviet identity.

Backed by a cadre of brilliant musician-performers, the Kazakh-American opera singer Timur uses the Soviet songs of his childhood to explore the intertwined forces of identity, politics, history, and belonging. The Great Soviet Bucket is directed by multi-Emmy-nominated Director Sandra Powers.

The Great Soviet Bucket is co-commissioned by Miami Light Project and Beth Morrison Projects with support from the National Performance Network. It is developed and produced by Beth Morrison Projects. It premiered in 2024 at Miami Theater Center, in partnership with Miami Light Project. 
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JANUARY 17 AND 24, 2027
Compline by Candlelight: Arvo Pärt

Choir of Trinity Wall Street
Trinity Church NYC
89 Broadway, New York, NY
Free Admission

Music by Arvo Pärt
Curated by Beth Morrison and Melissa Baker
Performed by the Trinity Choir

Compline (KOM-plin) is an ancient prayer service (Compline means “completion”) traditionally offered at the close of the day. In this special collaboration, PROTOTYPE features choral works by Arvo Pärt within Trinity Church’s weekly Compline service. The result is healing and contemplative: an end-of-day pause that creates space for reflection, calm, and presence before the start of a new week.

Pärt’s choral works, known for their spiritual depth, haunting beauty, and profound stillness, are performed in the extraordinary acoustics of Trinity Church, offering a welcome respite from the city’s chaos and the depths of winter. Pärt’s music blends radiant harmonies with simplicity, creating an immersive and transcendent experience. Audiences are invited to gather in community, each holding a candle, as the Trinity Choir gives voice to nighttime prayers in song.
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Visions

JANUARY 18 AND 19, 2027
VISIONS: A Meditation on the Female Muses of Gustav Klimt

Theatrical Song Cycle | WORLD PREMIERE
Joe’s Pub
425 Lafayette St, New York, NY

Composed and Performed by Lacy Rose
Directed by Dara Malina

Lacy Rose is a lyric poet, vocalist, and composer who writes and performs contemporary art songs. Her imagistic storytelling blurs the lines between song cycle, surrealism, and incantation.

Long fascinated by the silent muses in Gustav Klimt’s paintings, through her new song cycle, VISIONS, Rose gives voice to the women depicted in Hope IHope IIRia Munk, and Portrait of a Lady. Over four acts, each inspired by one of the paintings, Rose—backed by the Starling Ensemble—delves into the rich histories of the works themselves while exploring broader themes of birth, death, and rebirth, as well as identity, pregnancy, and new ways of seeing.

Presented in the intimate cabaret environment of Joe’s Pub, the work brings together Rose’s classically grounded vocal writing, lyric poetry, piano, and string quartet in an imaginative musical encounter with the inner lives of Klimt’s muses.
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JANUARY 21-22, 2027
The Seen and the Unseen: An evening of two visionary chamber operas about women who listen for voices the world cannot yet hear.

National Sawdust
80 N 6th St, Brooklyn, NY

A National Sawdust production in collaboration with Yale School of Music and Yale School of Drama, presented as part of the PROTOTYPE Festival. 

PART I: The Red Thread
Work-in-Development Presentation
Music by Wang Lu
Libretto by Deborah Brevoort
Conducted by Anthony Cheung 

The Red Thread, presented as a 30-minute piano-only work-in-development, follows an adopted Chinese-American woman who travels to rural China searching for the birth mother who left her in a market basket eighteen years earlier, a red thread tied around her ankle. Spare, intimate, and rooted in Chinese mythology, it asks what binds us across lifetimes.

PART II: Hilma 
Fully Staged Chamber Opera | WORLD PREMIERE

Music and Libretto by Daniel Zlatkin
Directed by Juliana Morales Carreño 
National Sawdust Ensemble, Jeffrey Zeigler - Music Director
Conducted by Raquel Acevedo Klein
Hilma: Catherine Martin, mezzo-soprano

Hilma is presented as a fully staged production of approximately 45 minutes. The opera is a portrait of Swedish painter Hilma af Klint, who channeled abstract visions from unseen spirits decades before the art world was ready to receive them. Haunting and luminous, the production brings Hilma’s visionary canvases to life through light, projection, and movement, performed by the National Sawdust Ensemble under the musical direction of Jeffrey Zeigler.
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JANUARY 22 AND 23, 2027
Art Bath 

artXnyc
409 West 14th Street, New York, NY

Produced and Presented by Art Bath
Curated by Mara Driscoll and Liz Yilmaz
Featuring: Vilma Jää and The Beatbox House

Now in its third year of partnership with PROTOTYPE, Art Bath continues to bring its signature eclectic programming to the festival, with a particular focus on genre-defying work in music and opera.

Art Bath draws from the tradition of the art salon to create a multisensory artistic journey. Known for fusing disciplines including opera, music, theatre, puppetry, and visual art, Art Bath presents an eclectic range of world-class performers, unexpected collaborations, and the thrill of new work unfolding in real time, all within a space transformed to invite curiosity, connection, and creative surprise.

Art Bath’s salon-style format unfolds through a series of short performances and encounters, creating a social and theatrical environment in which audiences move between live acts, visual installations, and unexpected artistic interventions.

Confirmed programming includes Finnish folk-pop singer, composer, and fiddler Vilma Jää, who starred as Markéta in the Metropolitan Opera’s production of Kaija Saariaho’s contemporary opera Innocence, and The Beatbox House, a crew of international champion beatboxers, with more to be announced this fall.
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Dog Days

JANUARY 23, 2027
Dog Days: 15th-Anniversary Concert Celebration

Concert Presentation
BRIC Arts Media
647 Fulton St, Brooklyn, NY

Music by David T. Little
Libretto by Royce Vavrek
Co-Presented by PROTOTYPE and BRIC Arts Media 
Based on the Short Story “Dog Days” by Judy Budnitz
Music Direction by Alan Pierson

The searing contemporary opera Dog Days, by David T. Little and Royce Vavrek, returns in a special concert presentation to celebrate the 15th Anniversary of its groundbreaking premiere. 

Based on the short story by Judy Budnitz, the work follows 13-year-old Lisa and her family as they struggle to survive in a near-future America unraveling under the pressures of war, hunger, and emotional collapse. Their fragile world is further disrupted by the arrival of Prince, a mysterious man who appears to be living and acting like a dog, begging for scraps and refusing to speak. By turns brutal, darkly funny, and deeply moving, Dog Days is a powerful meditation on survival, morality, and the animal instincts that emerge in times of crisis.

The opera premiered on September 29, 2012, at the Kasser Theater in Montclair, New Jersey in a bold production by Robert Woodruff co-produced by Peak Performances and Beth Morrison Projects. The anniversary presentation will reunite members of the original cast and orchestra, the acclaimed new music ensemble Newspeak.
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END of PROTOTYPE

BETH MORRISON PROJECTS
SPRING 2027

APRIL 1, 2027
VOX: American Voices Opera Lab
Operas in Development
Perelman Performing Arts Center, PAC NYC 

Beth Morrison, Director and Creative Producer
Ted Sperling, Music Director

VOX, the only program of its kind dedicated to presenting excerpts from new grand operas by contemporary American composers, is relaunched this season as a landmark collaboration among seven leading New York musical organizations passionately committed to supporting the future of opera:

  • American Composers Orchestra
  • Beth Morrison Projects
  • Manhattan School of Music
  • Mannes Opera at the Mannes School of Music
  • MasterVoices
  • The Metropolitan Opera
  • Perelman Performing Arts Center, PAC NYC

This season, VOX showcases four works in progress, offering artists from across the country a rare opportunity to present substantial excerpts from new creations performed by soloists, full orchestra, and chorus. One of the four projects will be developed through the Metropolitan Opera’s Commissioning Program, while three will be selected through an open-submission process (the deadline for submissions was August 1).
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APRIL 17–18, 2027
You Are Poetry 
Multimedia Song Cycle | WORLD PREMIERE

Directed by Beth Morrison
Music by Kamala Sankaram 
Poetry and Music Direction by André de Quadros
Additional text by Beth Morrison
Immersive Projection Design by S. Katy Tucker

For one year, every day, a poet wrote a love poem. 

During the year his partner, Beth Morrison, underwent treatment for a life-threatening illness, André de Quadros wrote a poem each day. Every evening, they read the poem aloud together in bed, a quiet ritual that became a way of meeting uncertainty with love. 

Those poems, alongside Beth's journals from the same year, became the foundation for You Are Poetry, a new multimedia song cycle by composer Kamala Sankaram with immersive projection design by S. Katy Tucker. Blending music, poetry, images, and memory, the work traces the fragile terrain between fear and hope, transforming private acts of creation into a shared human experience. At its heart, You Are Poetry is a testimony to love's remarkable capacity to sustain us, to heal in ways both seen and unseen, and to reveal beauty even in our most vulnerable moments.
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The Old Man and the Sea

MAY 20–23, 2027
The Old Man and the Sea
Opera | LOS ANGELES PREMIERE
9390 N. Santa Monica Blvd., Beverly Hills, CA

Music by Paola Prestini
Libretto by Royce Vavrek
Co-presented with LA Opera and The Wallis
Directed by Karmina Šilec

Music Direction by Mila Henry

One of the most visually ambitious productions in BMP’s catalogue, this large-scale opera combines Hemingway’s text with original portraits of everyday life, examining aging, legacy, ecology, religion, economy, and humanity’s complex relationship with the ocean.

The Old Man and the Sea is also a highlight of January’s PROTOTYPE Festival. See the full description above
More Information 

BMP Partnerships & Collaborations

BMP and Banff Centre for Arts and Creativity inaugurated a new multi-year partnership at the end of June 2026 with the development of the world premiere of The Silver Cypress by Iranian-American composer Niloufar Nourbakhsh, winner of the second BMP: NEXTGEN competition. Nourbakhsh, whose music has been described as “darkly lyrical” by The New York Times and “séduisante” by Le Monde, is the recipient of a 2023 Chamber Music American Classical Commissioning Grant, a 2022 BMP: NEXTGEN award, a 2019 OPERA America Discovery Grant, and National Sawdust’s HILDEGARD Commission. Her orchestral work Knell was performed by the Norwegian Radio Orchestra at the 2023 Nobel Peace Prize ceremony.

In July 2026, BMP brought a new, site-specific staged-concert version of its Grammy-nominated opera HILDEGARD, by Sarah Kirkland Snider, to the Aspen Music Festival and School. Aspen cast its own students as actors, singers and musicians, who collaborated with the BMP production team. 

In October, BMP brings David T. Little and Anne Waldman’s Grammy-nominated feature film and live concert work Black Lodge, preceded by BARDO, to the University of North Carolina at Chapel Hill, presented by Carolina Performing Arts, continuing a multi-year partnership of bringing ground-breaking music-theatre to North Carolina 

Spring 2027 sees the return of BMP’s decades-long partnership with Brooklyn Youth Chorus, making ground-breaking choral-theatre work. BMP workshops a new work, Daughter, by Molly Joyce, Olivia Gatwood, and Zoe Moore. Based on the story of the Salem Witch Trials, Daughter is slated to premiere at PROTOTYPE 2028. 

A new partnership with Indiana University Jacobs School of Music kicks off with a BMP: SONGBOOK concert in June 2027 directed by Beth Morrison. 
 

BMP Works in Development

The Slaying of Innocence, a project that has been years in development, will have its third workshop this season. Created with currently and formerly incarcerated artists, this innovative work is being developed in two forms, one to be premiered at ArtsEmerson in the 2027-2028 season, and one to be toured to carceral facilities around the country.

Additional works in creative Development: 

Expected premiere in 2027-28
Mother Tongue | Music by Juhi Bansal | Libretto by Neil Aitken

Expected premiere in 2028-29
The Silver Cypress | Music by Niloufar Nourbakhsh | Libretto by Stephanie Fleischmann
Mwedzi Music by Tanyaradzwa Tawengwa | Libretto by Angel Dye

Expected premiere in 2029-30
MANU (or the Legend of the Fish) | Music and Libretto by Anuj Bhutani 

ABOUT BETH MORRISON PROJECTS

“Modern American Opera Wouldn’t Be the Same Without Her / Beth Morrison has shepherded dozens of new works into existence over the past 20 years. And her footprint continues to grow.” 
The New York Times

“[Beth Morrison is] …an indefatigable champion of new, unconventional operas.”
The Wall Street Journal

Following its landmark 20th anniversary season, Beth Morrison Projects (BMP) remains a leading creator and producer of new opera and music-theatre, driven by a fierce commitment to telling the stories of our time, cultivating the next generation of artists, and shaping a more inclusive, innovative, and relevant future for the field. Founded in 2006 by “contemporary opera mastermind” (LA Times) Beth Morrison—named one of Musical America’s Artists of the Year/Agents of Change—BMP has become “a driving force behind America’s thriving opera scene” (Financial Times).

With offices in Brooklyn and Los Angeles, BMP operates nationally and internationally, having commissioned, developed, produced, and toured more than 65 works in 19 countries. Its productions include the Pulitzer Prize–winning operas Angel’s Bone (Du Yun/Royce Vavrek) and p r i s m (Ellen Reid/Roxie Perkins), as well as three GRAMMY™-nominated operas for Best Opera Recording: Black Lodge (David T. Little/Anne Waldman, 2024); Adoration (Mary Kouyoumdjian/Royce Vavrek, 2026); and TRADE/Mary Motorhead (Emma O’Halloran/Mark O’Halloran, 2026). BMP’s productions have been presented at leading venues and festivals worldwide.

In June 2026, HILDEGARD, composed by Sarah Kirkland Snider, received the Music Critics Association of North America’s 2026 Award for Best New Opera—another milestone in BMP’s ongoing commitment to ambitious and groundbreaking new work.

Marking two decades of artistic achievement, BMP released the double album BMP: SONGBOOK through Bright Shiny Things in January 2026. Available on CD, vinyl, and digital platforms, the album brings together selections from across BMP’s catalogue of more than 65 commissioned and produced opera and music-theatre works. In addition to the CD, BMP published a companion anthology of sheet music and a commemorative 20th Anniversary volume that provides a visual history of BMP’s creative output through the decades. 

Central to BMP’s mission is artist development through programs such as BMP: Producer Academy and BMP: NEXTGEN, which support emerging producers, composers, singers, and artists through mentorship, training, commissioning, and professional-development opportunities. BMP is also the driving force behind the annual PROTOTYPE Festival, widely recognized as one of the world’s leading festivals of contemporary opera and theatre. Co-founded in 2013 by BMP and HERE Arts Center, PROTOTYPE is, as of 2026, solely curated and produced by BMP. 

Through its productions, partnerships, recordings, and artist-development programs, BMP continues to redefine opera for the 21st century and build a vibrant, sustainable, and deeply relevant future for the art form.

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VENUE PARTNER INFORMATION

About A.R.T./New York

Established in 1972 by an innovative collective, A.R.T./New York has matured into an indispensable cornerstone for more than 475 theatres and more than 150 individual producers and artists throughout all five boroughs of New York City and across the state.

As the singular membership organization dedicated to encompassing New York’s entire not-for-profit theatre sector, A.R.T./New York’s reach extends from playwriting collectives and developmental labs to producing organizations and pioneering independent artists.

A.R.T./New York continues to serve the field through four essential service areas: funding, space, professional development, and advocacy, helping theatre-makers put their creative ideas onstage.

VENUE PARTNER INFORMATION

About A.R.T./New York

Established in 1972 by an innovative collective, A.R.T./New York has matured into an indispensable cornerstone for more than 475 theatres and more than 150 individual producers and artists throughout all five boroughs of New York City and across the state.

As the singular membership organization dedicated to encompassing New York’s entire not-for-profit theatre sector, A.R.T./New York’s reach extends from playwriting collectives and developmental labs to producing organizations and pioneering independent artists.

A.R.T./New York continues to serve the field through four essential service areas: funding, space, professional development, and advocacy, helping theatre-makers put their creative ideas onstage.

About Art Bath

ART BATH takes audiences on immersive journeys through many disciplines and textures of art. With an established history of fostering new collaborations and work by world-class creatives, Art Bath draws from the tradition of the art salon to stage eclectic lineups of dance, opera, music, puppetry, theater, and fine arts in reimagined spaces. Founded in 2022 by Elizabeth Yilmaz and Mara Driscoll, Art Bath has collaborated with such organizations as Lincoln Center, 92NY, the Cathedral of St. John the Divine, the PROTOTYPE Festival, Phillips Auction House, and Fotografiska.

About BRIC

Founded in 1979, BRIC is a leading arts and media institution anchored in Downtown Brooklyn, with programming that spans media, contemporary visual and performing arts, and civic engagement.

For more than four decades, BRIC has helped shape Brooklyn’s cultural landscape by presenting and supporting artists, creators, students, and media makers.

On September 30, 2025, in recognition of its significant contributions to New York City’s cultural sector, BRIC was named to New York City’s Cultural Institutions Group, becoming the first media and arts organization to join the coalition in its more than 150-year history.

Learn more at bricartsmedia.org.

About Carolina Performing Arts

Founded in 2005, Carolina Performing Arts is one of the nation’s leading multi-arts presenters and producers, housed at the University of North Carolina at Chapel Hill. We collaborate with artists from Carolina’s campus and across the world to spark discovery, foster belonging, and create shared performing arts experiences on stage, in classrooms, and across communities. We invest in the research and development of new creative work, including commissioning 80 productions in our first 20 years. We work to expand access, including offering $11 tickets to every student statewide. Together, we’re building communities where shared arts experiences — and the connections they create — thrive, cultivating a North Carolina that is healthier, more joyful, and better connected. 

About Gerald W. Lynch Theater at John Jay College

John Jay College of Criminal Justice of The City University of New York, an international leader in educating for justice, offers a rich liberal arts and professional studies curriculum to upwards of 15,000 undergraduate and graduate students from more than 135 nations. In teaching, scholarship and research, the College approaches justice as an applied art and science in service to society and as an ongoing conversation about fundamental human desires for fairness, equality and the rule of law. 

Since opening its doors in 1988, the Gerald W. Lynch Theater has been an invaluable cultural resource.  The Theater is a member of CUNY Stages, a consortium of 16 performing arts centers located on CUNY campuses across New York City and the CUNY Dance Initiative. The Theater has been home to the Lincoln Center’s Mostly Mozart Festival & White Light Festival, as well as the New Yorker Festival, Mannes Opera, the World Science Festival, and the revival of Mummunschanz. The Theater has hosted live and recorded events including David Letterman’s My Next Guest Needs No Introduction, Inside the Actor’s Studio, Carnegie Hall Neighborhood Concerts, Comedy Central Presents one-hour specials, the American Justice Summit, the NYC Mayoral Democratic Debates, and the launch of Jay-Z’s REFORM initiative. The Theater welcomes premiere galas, conferences, international competitions, and graduations.  For more information, and a schedule of events, please visit www.GeraldWLynchTheater.com.

About Joe’s Pub

Joe’s Pub, a program of The Public Theater, was named for The Public’s founder Joseph Papp. Since it opened in 1998, Joe’s Pub has played a vital role in The Public's mission of supporting artists at all stages of their careers with an intimate space to perform and develop new work. Joe's Pub presents the best in live music and performance nightly, continuing its commitment to diversity, production values, community, and artistic freedom. In addition to one-night-only concerts and multi-night engagements, Joe’s Pub is home to the annual Habibi Festival, which hosts artists representing contemporary and traditional musics of the SWANA (Southwest Asia/North Africa) region, and The Vanguard Residency, a yearlong curation series that celebrates the career, and community, of a prolific and influential artist, including Nona Hendryx, Judy Collins, Laurie Anderson, Barbara Maier Gustern, Angelique Kidjo, Margaret Cho, and Dr. Justin Vivian Bond. Murray Hill is the incoming Vanguard for 2026-27.

With its intimate atmosphere and superior acoustics, Joe’s Pub presents over 600 shows featuring artists based in New York City and touring performers from all over the world, and hosts over 100,000 audience members annually. Beyond public performances, Joe’s Pub also leads artist development programs like New York Voices, a commissioning program that helps musicians develop new performance projects, and Joe’s Pub Working Group, an artist-led development and collaboration cohort. Current commissioned artists include Lisa Stephen Friday, Dan Fishback, Lampert & Barsha, Morgan Bassichis, and EMEL.

Joe’s Pub Online: Website | Facebook | TikTok | Instagram | BlueSky | YouTube 

About LA Opera

Los Angeles is a city of enormous diversity and creativity, and LA Opera is dedicated to reflecting that vibrancy by redefining what opera can be. Through imaginative new productions, world premiere commissions, and inventive performances that preserve foundational works while making them feel fresh and compelling, LA Opera has become one of America’s most exciting and ambitious opera companies.

In addition to its mainstage performances at the Dorothy Chandler Pavilion, the company explores unusual repertoire each season through the LA Opera Off Grand initiative, featuring performances in a variety of venues throughout Los Angeles. The LA Opera Connects initiative offers a robust variety of educational programming and community engagement offerings that reaches people throughout every corner of Los Angeles County. Learn more at LAOpera.org.

About National Sawdust

National Sawdust is a dynamic non-profit cultural institution that the New York Times has described as “the city’s most vital new-music hall." National Sawdust commissions, produces, presents programming rooted in sound, and supports multidisciplinary artists and arts organizations in creating innovative new work. Founded in 2015, National Sawdust operates out of an intimate space equipped with a state-of-the-art Meyer spatial sound system in Williamsburg, Brooklyn, and is one of the few remaining cultural neighborhood venues. Composer Paola Prestini, who co-founded National Sawdust, serves as its President alongside EVP, Ana De Archuleta and SVP, Siobahn Sung, placing National Sawdust among the small number of New York cultural institutions led by women. 

About PAC NYC

Opened in September 2023, Perelman Performing Arts Center (PAC NYC, Khady Kamara Nunez, Executive Director, Bill Rauch, Artistic Director) is the final piece of the rebuilding of the World Trade Center after 9/11. Chaired by former New York City Mayor Mike Bloomberg, PAC NYC represents the resilience of the city standing as a beacon of hope and affirmation of life through music, theater, dance, opera, media, and more. Flexible in design, the center is fully responsive to artists’ creative visions. Intimate in scale, PAC NYC fosters an immediate connection between artists and audience members. The center’s projects involve significant community participation and always strive to have audiences reflect the work onstage. PAC NYC’s mission is to create connections by cultivating bonds between extraordinary artists and communities, with exemplary performances in active dialogue across the arts, and in our flexible, intimate spaces, inviting conversation and new relationships. Our art and our audiences reflect the dynamic energy of all five boroughs of New York City. Our work asks all of us to consider and embrace the complexities of society. Together, we welcome the entire world. The center is where the world trades ideas.

About Trinity Church Wall Street

Trinity Church NYC is an Episcopal parish in Lower Manhattan known for a vibrant spiritual life and a globally recognized music program. Through the Trinity Choir, Trinity Youth Chorus, and NOVUS (Trinity’s new-music ensemble), Trinity commissions, performs, and records repertoire spanning centuries, with a special commitment to new work that speaks to today. Trinity’s concerts, community partnerships, and free or low-cost offerings make world-class music accessible to all while fostering creativity, compassion, and civic engagement.

About The Wallis

Wallis Annenberg Center for the Performing Arts, located in the heart of Beverly Hills, CA, is a dynamic cultural hub and community resource where local, national, and international artists share their artistry with ever-expanding audiences. Distinguished by its eclectic programming that mirrors the diverse landscape of Los Angeles and its location in the entertainment capital of the world, The Wallis has produced and presented more than 400 theater, dance, music, film, cabaret, comedy, performance arts, and family entertainment programs, boasting nominations for 79 Ovation Awards and nine L.A. Drama Critic's Circle Awards as well as six architectural awards. Since its doors opened in October 2013, The Wallis has been committed to robust and distinctive presentations and education programs curated with both creativity and social impact in mind. Hailed as “au courant” (LaLa Magazine), The Wallis was lauded by Culture Vulture, which proclaimed, “If you love expecting the unexpected in the performing arts, you have to love The Wallis.” Broadway legend Patti LuPone, who was The Wallis’ 2015/2016 Season Artistic Advisor, described the venue as “one of the best in the country, allowing for an unparalleled intimacy between [the artist] and the audience.” A recent patron survey produced audience comments about The Wallis ranging from "amazing, engaging, inspiring!" to "fun. entertaining. Educational." The breathtaking 70,000-square-foot facility, celebrating the classic and the modern, was named after philanthropist Wallis Annenberg, whose original $25-million dollar donation was instrumental in transforming the former Beverly Hills post office building into an arts complex. Designed by acclaimed architect Zoltan E. Pali (SPF:architects), the restored building features the original 1934 Beverly Hills Post Office (on the National Register of Historic Places), whose eight towering fresco murals are one of two sets of WPA frescos remaining in the entire California Federal Building system. The Wallis’ lobby, now known as Jim and Eleanor Randall Grand Hall, serves as the theater's dramatic yet welcoming entryway to the contemporary 500-seat, state-of-the-art Bram Goldsmith Theater; the 150-seat Lovelace Studio Theater; an inviting open-air plaza for family, community and other performances; and GRoW @ The Wallis: A Space for Arts Education, where learning opportunities for all ages and backgrounds abound. Together, these elements embrace the city's history and its future, creating a performing arts destination for L.A.-area visitors and residents alike. Daphna Nazarian is Chair of The Wallis’ Board of Directors and Jean Davidson is Executive Director and CEO.

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